title

Record for Disappearing Beings

사라지는 존재들을 위한 레코드

year

2024

medium

Audiovisual Web Interactive

EN

Record for Disappearing Beings is an audiovisual record project that explores the unique characteristics of endangered wild plants in Korea and transforms them into algorithm scores, reconstructing them into a new sensory experience.
This project was created based on a four-day field study on Jeju Island, off the southern coast of Korea, in collaboration with the National Institute of Ecology (NIE), to directly engage with endangered wild plants. Their habitats were visited and closely observed to document their unique characteristics. Of these species, Mankyua chejuense, Oberonia japonica, and Liparis auriculata were selected, and algorithm scores were created based on their distinct characteristics.
The algorithm scores are structured audiovisual compositions that reflect the plants’ fractal growth patterns, survival strategies, habitat conditions, and other unique and diverse characteristics. Each score has its own form, sound, and movement, functioning in its own way. By omitting human language and symbols, the project explores alternative ways of communication and a more reciprocal relationship between humans and nature.
Record for Disappearing Beings is presented as a web-based interactive exhibition, where users can explore and navigate through different algorithm scores. By interacting with these audiovisual compositions, audiences experience how the unique characteristics of these plants are interpreted through sound and movement, deepening their connection to these plants. Through this, the project highlights their significance while fostering greater awareness of biodiversity conservation.

Kohui, Record for Disappearing Beings, 2024. Commissioned by Hyundai Artlab at Hyundai Motor Company © Kohui. Learn more about Kohui's Digital Commission on Hyundai Artlab's website (artlab.hyundai.com)

Videographer

Eom Jihyo

Research Supporter

Seo DongJin, Ph.D, Researcher, National Institute of Ecology (NIE)

Park Kyung Min, Researcher, National Institute of Ecology (NIE)

Lee SeungHoon, Ph.D, Halla Arboretum

Mr. Sang-gon Han, officer of Hallasan National Park

Sound Mixing, Mastering

Go Dam

KR

Record for Disappearing Beings는 한국의 멸종위기 야생식물의 고유한 특성을 발견하고, 이를 시청각적 경험인 알고리즘 스코어로 변환해 새로운 감각으로 재구성하는 오디오비주얼 레코드 프로젝트다.
이 프로젝트는 멸종위기 야생식물을 직접 마주하기 위해 국립생태원(NIE)과 협력하여 한국의 남해안에 위치한 제주도에서 4일간 진행된 현장 조사를 기반으로 제작되었다. 멸종위기 야생식물의 서식지를 방문하여 각 식물의 고유한 특성을 관찰했고, 그중 제주고사리삼(Mankyua chejuense), 차걸이란(Oberonia japonica), 한라옥잠난초(Liparis auriculata) 세 종을 선정해 알고리즘 스코어를 제작했다.
알고리즘 스코어는 식물의 프랙탈 성장 패턴, 생존 전략, 서식지 조건 등 고유하고 다양한 특성을 바탕으로 구성한 시청각적 구조로, 각각의 스코어는 저마다 다른 형태와 소리, 움직임을 가지며 독립적으로 동작한다. 이 과정에서 인간의 언어나 기호를 배제함으로써 보편적 언어로의 새로운 소통 방식을 탐구하고 인간과 자연이 수평적으로 교감할 수 있는 가능성을 모색한다.
Record for Disappearing Beings는 웹 기반 인터랙티브 전시 형태로 공개되었으며, 누구나 온라인을 통해 멸종위기 야생식물을 시청각적으로 탐색하고 경험할 수 있다. 이를 통해 사라지는 존재들의 가치를 강조하는 동시에 생물다양성 보존의 중요성에 대한 대중의 관심을 확장하고자 한다.

고휘, Record for Disappearing Beings, 2024. 현대 아트랩 디지털 커미션 작품 © 고휘. 고휘 작가의 아트랩 디지털 커미션에 대한 자세한 내용은 현대 아트랩 웹사이트를 방문해 주세요 (artlab.hyundai.com)

비디오그래퍼

엄지효

리서치 연구원

서동진, Ph.D, 연구자, 국립생태원

박경민, 연구자, 국립생태원

이승훈, Ph.D, 한라수목원

한상곤, 한라산연구부

사운드 믹싱, 마스터링

고담

Solitonperformance 2026Soliton (Prototype)performance 2026Panphony: Circular Movementperformance 2026Perceive (Panorama)video 2026Syn-Chronousinstallation 2025Études & Struereperformance 2025Struerevideo 2025In Sceneryperformance 2025Archipelagoperformance 2025SUPERSOLIDinstallation 2024Record for Disappearing Beingsinstallation 2024Life^2performance 2024Microbial Spacevideo 2024Microbial Motionvideo 2024Microbial Bridgevideo 2024Blue Minutes, Red Hoursobject 2024Making Mattersobject 2024Poldermusic 2024Perceiveperformance 2023Composition for 3 Bowls Filled with Objective Soundinstallation 2023Objective Sound and Parametric Foodprogram 2023Circular: 10 Tracksinstallation 2023Composition for Objective Sound with 8 Speakers, 3 Structures Overlappinginstallation 2023Quire from Momentsperformance 2023Composition for Objective Sound No.7installation 2022Reverberation - Oooinstallation 2022Composition for Objective Sound No.5video 2022Composition for Objective Sound No.1installation 2022Inscape - Sonantianinstallation 2022Composition for Objective Soundperformance 2022SKINinstallation 2022Leaving traces of sound / SSTinstallation 2021Spatial Composition: Momentary Airvideo 2021Change 1 / Change 2video 2021Reverberation - O0oooovideo 20215,6 Augustperformance 2021Argumentprogram 2021Interviewvideo 2020Elements of sound in scape seriesvideo 2020Room and roomperformance 2019Lineworksmusic 2019Anthropogenicperformance 2019Construct V3performance 2019Reverberation - IIIIIIIIOvideo 2019Construct V2performance 2018Constructperformance 2018Hyperconnectivityperformance 2016
Record for Disappearing Beings — 1
Record for Disappearing Beings — 2
Record for Disappearing Beings — 3
Record for Disappearing Beings — 4
Record for Disappearing Beings — 5
Record for Disappearing Beings — 6
Record for Disappearing Beings — 7
Record for Disappearing Beings — 8
Record for Disappearing Beings — 9
Record for Disappearing Beings — 10
Record for Disappearing Beings — 11
Record for Disappearing Beings — 12
Record for Disappearing Beings — 13
Record for Disappearing Beings — 14
Record for Disappearing Beings — 15
Record for Disappearing Beings — 16
Record for Disappearing Beings — 17
Record for Disappearing Beings — 18
Record for Disappearing Beings — 19
Record for Disappearing Beings — 20
Record for Disappearing Beings — 21
Record for Disappearing Beings — 22
Record for Disappearing Beings — 23