Composition for Objective Sound No.7

Composition for Objective Sound No. 7 creates unpredictable moments of performance between the autonomous flow of sound objects and the flow altered through audience interaction, reconfiguring the space as a “sound ecosystem.”
The sound and form of each sound object are connected by a set of rules: information such as pitch, timbre, and volume is made perceptible through its form, while its movement and the occurrence of sound remain predictable within a certain range. The sound objects move autonomously through space, and when they occasionally encounter a zone, they produce the sounds they carry while their forms respond accordingly.
This flow departs from the one-directional progression of a conventional musical staff along a fixed timeline. Moving through space as if attempting to be read or waiting to be read, the sound objects generate a flow of sound through their individual movements.
The audience can intervene in the flow of the sound objects in real time through touch input. In response to this intervention, the movement of the sound objects and the environment surrounding them are altered, forming new relationships between the audience and the sound objects.
The flow of the sound objects moving through space is continuously repeated and extended through mirrors. The space they wander through gradually becomes an infinitely expanding score, and within a fluid temporal flow that departs from a fixed timeline, the audience encounters the ecosystem of sound objects.