title

Composition for Objective Sound with 8 Speakers, 3 Structures Overlapping

소리 오브젝트와 중첩된 8개의 스피커, 3개의 구조물을 위한 구성

year

2023

medium

Audio-visual Installation

EN

Composition for Objective Sound with 8 Speakers, 3 Structures Overlapping is an audiovisual installation that superimposes the flow of sound objects moving through a virtual space onto eight speakers and three structures positioned within the physical exhibition space.
Upon entering the exhibition, the audience first encounters sounds emerging from different parts of the space. Although the sounds originate from specific locations, their causes are not immediately apparent within the physical space itself. A virtual space in the form of a floor plan is projected onto the wall, superimposing the physical space occupied by the audience with the positions of the speakers and structures. Within this virtual space, sound objects move through the environment on their own.
The flow of the sound objects changes in relation to the structures, and whenever an object reaches the position of a speaker superimposed within the virtual space, it produces the sound it carries through the corresponding physical speaker. By observing the projected virtual space, the audience gradually comes to understand that the sounds heard throughout the exhibition are not generated at random, but emerge from the relationship between the movement of invisible sound objects and the physical space.
Even in the absence of a performer, the sound objects continue along their own flows, creating the moments in which sound occurs. At the point where physical and virtual spaces overlap, the space becomes a score that performs the flow of the sound objects. By rereading the relationship between what is seen and what is heard, the audience encounters another way of perceiving sound.

Structure Production

Sanghwan Byun

Thanks to

Livefdbck

greenlevel

Jenny

KR

소리 오브젝트와 중첩된 8개의 스피커, 3개의 구조물을 위한 구성은 가상 공간을 유영하는 소리 오브젝트의 흐름을 실제 전시 공간에 위치한 8개의 스피커와 3개의 구조물에 중첩시키는 오디오비주얼 설치 작업이다.
전시장에 들어선 관객은 먼저 공간 곳곳에서 발생하는 소리를 마주한다. 소리는 일정한 위치에서 발생하지만 그 원인은 물리적 공간만으로는 드러나지 않는다. 벽면에 투사된 플로어 플랜 형태의 가상 공간에는 관객이 서 있는 실제 공간과 스피커, 구조물의 위치가 중첩되어 있으며, 그 안에서 소리 오브젝트들이 스스로 공간을 유영한다.
소리 오브젝트의 흐름은 구조물과의 관계에 따라 변화하고, 오브젝트가 가상 공간에 중첩된 스피커의 위치에 닿는 순간 해당 위치의 실제 스피커를 통해 자신이 지닌 소리를 발생시킨다. 관객은 투사된 가상 공간을 바라보며 공간에서 들려오는 소리가 임의로 발생하는 것이 아니라, 보이지 않는 소리 오브젝트의 움직임과 물리적 공간 사이의 관계에 의해 만들어지고 있음을 점차 인식하게 된다.
연주자가 부재한 상태에서도 소리 오브젝트는 각자의 흐름을 이어가며 스스로 소리가 발생하는 순간을 만들어낸다. 물리적 공간과 가상 공간이 중첩되는 지점에서 공간은 소리 오브젝트의 흐름을 연주하는 하나의 악보가 되고, 관객은 눈앞에 보이는 것과 들리는 것 사이의 관계를 다시 읽으며 소리를 감각하게 된다.

구조물 제작

변상환

감사한 분들

한재석

그랜

박제언

series

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