Composition for Objective Sound No.5

Composition for Objective Sound No.5 is an audiovisual work in which sound objects move autonomously through space and are read and played by a zone that travels at regular intervals.
The sound and form of each sound object are connected by a set of rules: information such as pitch, timbre, and volume is made perceptible through its form, while its movement and the occurrence of sound remain predictable within a certain range. For example, the length of a tail may indicate a higher or lower pitch, while the thickness of a form may correspond to a stronger or softer sound. Each type of sound object has its own mode of operation and distinct sonic characteristics.
As the sound objects move through space, they are read when they encounter the zone moving at regular intervals. At that moment, they produce the sounds they carry, and their forms respond accordingly. Each sound object continues along its own flow, while the successive moments of encountering the zone generate rhythm and relationships.
This flow moves away from the fixed temporal structure of a conventional staff, in which music progresses in a single direction, and creates a tension between predictability and unpredictability. The space through which the sound objects move becomes a score in which their sounds and relationships are performed, allowing the relationships that emerge within it to be perceived through sound.